FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture. Read the full article at https://www.brooklynmuseum.org/exhibitions/faile
“Life is not merely what it seems to be. Hidden from our eyes by the cloak of materiality is a wonderful world which only the eyes of the dreamer can see and the soul of the mystic comprehend.” Read the full article at https://brooklynrail.org/2022/06/in-memoriam/A-Tribute-to-Lance-De-Los-Reyes
See how pages of discarded printed words are transformed into meaningful art. Nick Georgiou began crafting a weekly series of monochromatic portraits that were created using issues of the Sunday New York Times. His inspiration stemmed from the way the media had been, and still is, portraying the news in a dark light. Read the full article here https://dujour.com/culture/art-exhibit-turn-the-line-nick-georgiou-allouche-gallery-nyc/
On a cold and stormy night earlier this month in Los Angeles, heavy rain pelted the streets outside while a small mob crowded into Allouche Gallery. Heads were craning about to see the creator of the large paintings hanging on the walls—many of them landscapes verging on abstraction, and rather moody themselves. The artist, actor Sharon Stone, was holding court in the gallery’s first room, a striking figure in a black suit accented with gatherings of magenta ruffles.The show, Shedding (until 7 April), is the first solo gallery exhibition for Stone, who took up painting—in an almost feverish way—during Covid-19 lockdowns. The title references all kinds of
The Pratt alum continues to rebel with color and camp through his painting practice. These days he has a much more receptive audience. The artist’s journey recalls that of queer, creative kids across the country who not only assert their difference but wield it. To paraphrase Baldwin, they walk on the earth as though they have the right to be here. Read the full article at https://www.papermag.com/ben-evans-artist-interview-bless#rebelltitem27
This year’s installation in the promenade features a surreal group of rectangular glass blocks with what appear to be colorful, life-size dancers trapped inside — part of a series that the featured artist, Dustin Yellin, calls “Psychogeographies.” Closer inspection reveals that each block is made up of more than two dozen thin panels of glass, with the layers decorated with paint or drawings or collages and then glued together. Viewed from the front or back, they form striking three-dimensional figures; from the side, the images seem to disappear. Read the full article at https://www.nytimes.com/2015/02/26/arts/dance/new-york-city-ballet-applies-a-surreal-touch-to-build-audiences.html?searchResultPosition=2
