Traveling around NYC, a 14 foot box truck has been transformed into a diorama-style outdoor sculpture that is a stage for both visual and performance art, inspired by domestic scenes and stories shared on this site. Swoon, uses intricate cutaways, painting, and performance to build a world that blends reality and wonder. As a roving, mobile sculpture, The House Our Families Built asks viewers to consider the legacy of ancestral histories. Read the full article at https://www.pbs.org/american-portrait/public-art/the-house-our-families-built/

The fashion house is getting into the world of NFTs. Givenchy’s creative director, Matthew M. Williams was determined to bring to his designs his flair for artistic innovation. Partnering with graphic artist Chito, with whom he already worked on the spring 2022 pre-collection, Williams has co-created a series of 15 unique graphic designs.”I’ve been wanting to explore this new and exciting space of NFTs,” says Williams. “The fact that Chito is already active in the ecosystem made it feel even more natural for us to collaborate on this limited series and bring our collective vision for Givenchy even further.” The auction

Yata’s works feel refreshing and new; uniquely her own. In this new interview, Christina Nafziger talks with the artist about the symbols that show up in her paintings, how her upbringing has impacted her practice, and the untamed spirit present throughout her work. Read the full article here https://www.createmagazine.com/blog/interview-with-hannah-yata

This year’s installation in the promenade features a surreal group of rectangular glass blocks with what appear to be colorful, life-size dancers trapped inside — part of a series that the featured artist, Dustin Yellin, calls “Psychogeographies.” Closer inspection reveals that each block is made up of more than two dozen thin panels of glass, with the layers decorated with paint or drawings or collages and then glued together. Viewed from the front or back, they form striking three-dimensional figures; from the side, the images seem to disappear. Read the full article at https://www.nytimes.com/2015/02/26/arts/dance/new-york-city-ballet-applies-a-surreal-touch-to-build-audiences.html?searchResultPosition=2

Restrained paintings by Anaja Hvastija Gaia, curated by Sophia Ballesteros, use the thinnest application of oil paint I’ve seen in a minute to produce an effervescent effect on otherwise simple compositions of pale, round bodies coalescing with expanses of desert. LOS ANGELES — There’s a perennial booth rule at Spring/Break Art Show: “No white walls.” This directive gave the warehouse space in Culver City the aura of a migraine without the headache. I was offered a tour during the fair’s opening, but I preferred to drift and collect my little papers as I went, letting myself be drawn in by