The fair is expected to include an assemblage of paintings, photography, prints, drawings, design, sculpture and video art, along with scheduled talks and performance art throughout the week. New York’s Allouche Gallery will be one of the exhibitors during the festival and has curated over 30 pieces from artists including George Condo, Jean-Micheal Basquiat, Keith Haring, Dustin Yellin, Kenny Scharf, Paul Insect, FAILE, Rafa Macarron, Doze Green, Lori Earley, Eric Freeman, Enoc Perez and Nick Georgiou. Read the full article at https://hypebeast.com/2019/11/allouche-gallery-art-miami-art-basel-2019 

Allouche Gallery in New York City will soon launch a new group show called “Paper Trail.” The exhibition will explore diverse works on paper including drawings, paintings, sculptures, and collages.     Read the full article at https://hypebeast.com/2018/9/allouche-gallery-paper-trail-group-exhibition

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

Hajime Sorayama, the father of the sexy robot revolution. Though he began his work on sexy robots in 1983, it has only grown more relevant in our increasingly technological society. Internationally recognized as the primary innovator of realistic expressionism via his airbrush technique, Sorayama continues to inspire artists of all mediums: painters, sculptors, film directors, and fashion designers.   Read the full article at https://metalmagazine.eu/en/post/article/hajime-sorayama-machines-with-sex-appeal

At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of