New Works!
330 Spring Street
New York, NY 10013
Mesut Karakiş
Mathieu Piffeteau
Malik Roberts
Jakub Trajter

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Surface Magazine: Ben Evans Illustrates Poolside Melodrama

At once playful and plaintive, the ascendant painter’s cartoonish rendition of a tennis match gone awry captures a scenic snapshot of sun-soaked surrealism. Here, we ask an artist to frame the essential details behind one of their latest works. An interesting feature that’s not immediately noticeable: Maybe the lack of tennis being played—no tennis ball in sight. I like the idea of them getting all dressed up to smoke a Marlboro Gold in a semi-surreal, pale green tennis court landscape. I stay in a realm of cartoon-ized imagery that exists in between reality and fantasy—kind of the strangeness of a manufactured

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Maxim : Sharon Stone Unveils Paintings in her First-Ever Art Exhibit

The “Basic Instinct” and “Casino” actress makes her fine art debut with an L.A. exhibition called “Shedding.” Award-winning actress Sharon Stone is celebrating a new accolade. March 14 marked the opening of Shedding, her fine art debut, with Allouche in Los Angeles. Stars including Jamie Lee Curtis attended the unveiling of 17 acrylic paintings from Stone’s expansive portfolio, which also features watercolor portraits of her friends, including singer Rita Ora.   Read the full article at https://www.maxim.com/entertainment/sharon-stone-sheds-layers-in-her-first-art-exhibit/

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Hypebeast: Malik Roberts’ “To Suffer a Lick” Exhibition Explores Liminality and Uncertainty

Malik Roberts will be showcasing his upcoming solo exhibition, “To Suffer a Lick,” which features thought-provoking works that invite viewers to explore their sense of liminality and uncertainty. The exhibition, to be held at Allouche Gallery in NYC, showcases a variety of dynamic and abstract compositions that highlight the artist’s unique approach to fragmenting and deconstructing figures. The pandemic inspired Roberts to create this exhibition, as it created a sense of liminality and uncertainty. The exhibition’s title, “To Suffer a Lick,” reflects the feeling of waiting for an opportunity while enduring uncertainty, capturing the sense of grace that comes with success. Read the

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ARTSPEAK NYC: Mar 21 Sissòn

Holding your breath suggests anticipation. But to wait to exhale is so much more loaded. The sensation is one of withholding more than anticipating. You want to dance, but only when you can do so with reckless abandon, without surveillance or interruption, or judgment. You want to live, but only on your terms. A real life, not a half life. Portraits of acrylic on canvas depict Black women in their variance and range. The quiet tension that precedes a revelation swirls through their paintings, all of which center the Black woman. Oxygen is the medium of life, and here serves

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Juxtapoz Magazine: The Eyes Are Everywhere: Paul Insect Can “Seeyou”

When past Jux cover artist Paul Insect began to work on eyes, there seemed to be a breakthrough. As an artist who started in both design and working on the street, having eyes on your work is both a gift and curse. On the street, you want the best spots and the most eyes to see your work, but also you don’t want the wrong eyes stopping you in the process. The eyes of the law is pervasive. Of course as a painter and designer, the eye is vital. So, as you can see, literally, we are talking about eyes and London’s

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