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Juxtapoz: BAST Channels Oscar Wilde @ Allouche Gallery, NYC

BAST has always been a proper good outcast of the street art world, and we mean that lovingly. He is so essential to the aesthetic, but has always been his own singular artist. His collaborations, with either Faile or Paul Insect, have this playful nostalgic feel, and his own works used to have a pop-culture critique that was some of the best in the business. Read full article at https://www.juxtapoz.com/news/painting/melmoth-confetti-bast-channels-oscar-wilde-allouche-gallery-nyc/

White-hot Magazine: Michael Reeder: Pushing Up Daisies at Allouche Gallery

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

Hyperallergic: Trippy Highlights From LA’s Spring/Break Art Show

Restrained paintings by Anaja Hvastija Gaia, curated by Sophia Ballesteros, use the thinnest application of oil paint I’ve seen in a minute to produce an effervescent effect on otherwise simple compositions of pale, round bodies coalescing with expanses of desert. LOS ANGELES — There’s a perennial booth rule at Spring/Break Art Show: “No white walls.” This directive gave the warehouse space in Culver City the aura of a migraine without the headache. I was offered a tour during the fair’s opening, but I preferred to drift and collect my little papers as I went, letting myself be drawn in by

Hypebeast: Paul Insect Takes Over Paris’ Allouche Gallery With “There’s More Upstairs” Exhibition

British contemporary artist Paul Insect heads to Paris’ Allouche Gallery for his latest installment of mixed-media works in a pop-up exhibition titled “There’s More Upstairs.” The works follow on from Insect’s “Reflective Minds” exhibition in New York and is intended to make audiences question genuineness in themselves. Read the full article at https://hypebeast.com/2019/5/paul-insect-theres-more-upstairs-allouche-gallery-art-exhibition-paris

Artnet News: Japanese Artist Teiji Hayama Distorts Pop Icons In Uncanny Paintings

Artist Teiji Hayama has developed a unique creative process wherein he leverages the pop culture, digital media, and traditional painting together, resulting in images that are at once filled with highly recognizable iconography yet remain decidedly foreign. On view through February 11, 2025, Hayama’s solo exhibition “Million Eyes” is on view in New York with Allouche Gallery, offering visitors the chance to immerse themselves in the artist’s creative and uncanny world. The works featured in “Million Eyes” allow viewers to not only gain insight into Hayama’s distinctive artistic practice, but psychologically engage with and reflect on the power of images, particularly

PURPLE PRESENTS: AN INTERVIEW WITH ARTIST SISSÒN

Talk us through a typical day in studio for you? Every day varies, but I keep to my routine of stretching, and a cold shower. Music is vital in my studio. The genre depends on what I am working on and the tempo I’m attempting to access creatively. Usually tends to be classical, hip-hop or jazz. I am hugely influenced by music; so much so I named my studio Hitsville, U.S.A, after Motown Records. S/O Berry Gordy. Motown was a symbol of hope for my community. It was Black owned, Black ran and represented Black artistry. Rings true to what

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