Hajime Sorayama, the father of the sexy robot revolution. Though he began his work on sexy robots in 1983, it has only grown more relevant in our increasingly technological society. Internationally recognized as the primary innovator of realistic expressionism via his airbrush technique, Sorayama continues to inspire artists of all mediums: painters, sculptors, film directors, and fashion designers.   Read the full article at https://metalmagazine.eu/en/post/article/hajime-sorayama-machines-with-sex-appeal

Evans explains. “Making art that feels performative is fun for me because it allows me to be campy with the imagery, and existing in a campy space is where I’m most comfortable.”   Read full article here https://hypebeast.com/2020/1/ben-evans-guy-hepner-god-bless-ben-evans-exhibition-info

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

The “Basic Instinct” and “Casino” actress makes her fine art debut with an L.A. exhibition called “Shedding.” Award-winning actress Sharon Stone is celebrating a new accolade. March 14 marked the opening of Shedding, her fine art debut, with Allouche in Los Angeles. Stars including Jamie Lee Curtis attended the unveiling of 17 acrylic paintings from Stone’s expansive portfolio, which also features watercolor portraits of her friends, including singer Rita Ora.   Read the full article at https://www.maxim.com/entertainment/sharon-stone-sheds-layers-in-her-first-art-exhibit/

Allouche Gallery is delighted to announce Nymphtopia, a solo exhibition of multi-media works by New York-based artist Jessica Lichtenstein. Nymphtopia explores themes of womanhood specifically regarding the link shared between femininity and nature, and the power within that bond. In this collection of works by Lichtenstein, the female protagonist stands unbroken, with countless women resiliently and mystically reclaiming the earth in the tapestry of the future. The force of Mother Nature holds eternal power over the man-made creations of the world – nature prevails as skyscrapers crumble and human ambitions rust. Through Greek folklore tradition, nymphs represent the authority of

FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture.   Read the full article at https://www.brooklynmuseum.org/exhibitions/faile