A trippy world where “we can talk about the idea of belief systems without people being offended.”Multidisciplinary art phenom Ron English just launched a new solo exhibition at New York City’s Allouche Gallery called “Delusionville.” The showcase is a visual cacophony of English’s signature characters imagined in new, acid-induced forms including paintings and life-sized sculptures.   Read the full article at https://hypebeast.com/2018/10/ron-english-delusionville-allouche-gallery-exhibition

Brooklyn-based artist Swoon celebrates everyday people and explores social and environmental issues with her signature paper portraits and figurative installations. She is best known for her large, intricately-cut prints wheat pasted to industrial buildings in Brooklyn and Manhattan.   Read the full article at https://www.brooklynmuseum.org/exhibitions/swoon/

Lori Earley is a contemporary surrealist figurative artist who began exhibiting her work in 2004.  She describes her work, “My oil paintings are a combination of classical realistic rendering with a  personal element of distortion” This distortion comes from an innate desire to transform her  emotions into tangible planes that express what she feels, not what she sees.   Read the full article at https://beautifulbizarre.net/2014/01/25/lori-earley/

The fair is expected to include an assemblage of paintings, photography, prints, drawings, design, sculpture and video art, along with scheduled talks and performance art throughout the week. New York’s Allouche Gallery will be one of the exhibitors during the festival and has curated over 30 pieces from artists including George Condo, Jean-Micheal Basquiat, Keith Haring, Dustin Yellin, Kenny Scharf, Paul Insect, FAILE, Rafa Macarron, Doze Green, Lori Earley, Eric Freeman, Enoc Perez and Nick Georgiou. Read the full article at https://hypebeast.com/2019/11/allouche-gallery-art-miami-art-basel-2019 

At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of