Allouche Gallery in New York has announced a new group show curated by Brooklyn-based artist Stickymonger along with fellow spray paint artists namely Gucci Ghost, Micheal Reeder, Paul Insect and UFO907. Read the full article at https://hypebeast.com/2021/10/stickymonger-spray-painterly-curated-group-show
The artists in question are Malik Roberts, Paul Insect and Stickymonger, who will, each in their own fashion, commemorate the legacy of Bast, the fourth of the 4. Bast was best known for his collage art that portrayed mutated characters and scenes. Read the full article at http://www.somewhere-magazine.com/nycs-allouche-gallerys-star-studded-4-in-la-pop-up-group-show-commemorates-late-artist-bast/
Allouche Gallery in New York City will soon launch a new group show called “Paper Trail.” The exhibition will explore diverse works on paper including drawings, paintings, sculptures, and collages. Read the full article at https://hypebeast.com/2018/9/allouche-gallery-paper-trail-group-exhibition
The New York-based artist Lance De Los Reyes has died, aged 44. The artist, who used the moniker Rambo, was best-known for his graffiti depicting upside-down crowns, a tribute to Jean-Michel Basquiat, and the cryptic poems he painted on billboards and buildings across New York City. More recently in his practice, the artist had focused on large-scale abstract paintings. Read the full article at https://www.theartnewspaper.com/2021/11/08/lance-de-los-reyes-graffiti-artist-known-as-rambo-has-died-aged-44
Yata’s works feel refreshing and new; uniquely her own. In this new interview, Christina Nafziger talks with the artist about the symbols that show up in her paintings, how her upbringing has impacted her practice, and the untamed spirit present throughout her work. Read the full article here https://www.createmagazine.com/blog/interview-with-hannah-yata
At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of
