Lori Earley is a contemporary surrealist figurative artist who began exhibiting her work in 2004.  She describes her work, “My oil paintings are a combination of classical realistic rendering with a  personal element of distortion” This distortion comes from an innate desire to transform her  emotions into tangible planes that express what she feels, not what she sees.   Read the full article at https://beautifulbizarre.net/2014/01/25/lori-earley/

On March 23, 2023, Allouche Gallery will unveil The Alchemy and the Ecstasy, which showcases Hannah Yata‘s most extensive collection of artwork. The Alchemy and the Ecstasy is an exhibition that brings to life the artist’s kaleidoscope of color and emotion, with each work encapsulating a transitional zone between fear and wonder. Her art fuses human rituals and growth with the natural world and other living beings, using alchemical symbols to portray the transformation of the soul as it passes through the light and darkness of existence. Through her use of myths and ancient symbols, Yata brings us back to

At Gaetano Pesce‘s solo exhibition at the Museum of Modern Art in 1979, his cartoonish, riotously colored lamps, vases, chairs and drawings dealt a body blow to the sleek Modernist Bauhaus objects enshrined in the museum’s vitrines. To judge by the generous showof 90 objects and drawings at the Allouche Gallery in SoHo, this Italian iconoclast has expanded his irreverent critique, humanizing the domestic landscape with even more sass, color and social comment. The many octopus vases, centipede tables, rag chairs and lamps with ears — all cast in resins that bounce when dropped — amount to a mini career retrospective of

Michael Reeder’s first solo exhibition with Allouche Gallery, Pushing Up Daisies, is a stunning full-on mashup of Pop Surrealism at its best. Reeder employs Pop’s mass production techniques and pleasant displacement with Surrealism’s provoking desires and shifting angst, next to a sense of duality between life and death, a heavy dose of noir neo-expressionism and a deep bite of dark humor. Read the full article at https://whitehotmagazine.com/articles/up-daisies-at-allouche-gallery/5616

Evans explains. “Making art that feels performative is fun for me because it allows me to be campy with the imagery, and existing in a campy space is where I’m most comfortable.”   Read full article here https://hypebeast.com/2020/1/ben-evans-guy-hepner-god-bless-ben-evans-exhibition-info